I spent my Sunday afternoon at MUDAM, a new contemporary art gallery on a hill near the European Court of Justice. I walked there via a forest path which climbed steeply from the river bank up to the heights, through the restored Fort Thüngen to the gallery. The building itself is the work of IM Pei with trademark glass pyramids making an odd contrast with the old fortifications nearby.
The museum was quite small but had some quality works of art in it. My favourite was the exhibition of the works of Attila Csörgő. Wild clockwork devices which constructed and deconstructed geometric shapes by pulling strings attached to bits of wood were possibly the most impressive. It was absolutely beyond my comprehension that someone could ever build something like them.
By the time I left the gallery it was dark. I set off back to town via the route I’d come, only to realise after a few hundred metres that it was completely unlit. I didn’t feel like turning back, so I pushed on using the weedy light from my mobile phone to light the way. The damp corridors of Fort Thüngen were quite spooky in the pitch darkness. I hurried on through to the forest, and then found my way down the trail back to the bottom of the Alzette valley.